Michael Hollinger’s plays include nine works premiered at Philadelphia’s Arden Theatre Company, including An Empty Plate in the Café Du Grand Boeuf, Incorruptible, Tiny Island, Red Herring, Tooth and Claw, Opus, Ghost-Writer, Under the Skin, and the musical TouchTones (co-authored with composer Robert Maggio). Plays premiered elsewhere include Sing the Body Electric at Philadelphia’s Theatre Exile; Hope and Gravity at Pittsburgh’s City Theatre; Cyrano (translated, and co-adapted with Aaron Posner) at Washington’s Folger Theatre; and the musical A Wonderful Noise (co-authored with Vance Lehmkuhl) at Creede Rep. Together these works have been produced throughout the U.S., off-Broadway, and abroad (London, Paris, Tokyo, Athens, Poland and Slovenia). Awards include an ATCA/Steinberg New Play Citation, an L.A. Drama Critics Circle Award, a Mid-Atlantic Emmy, an Edgerton Foundation New American Plays Award, the Frederick Loewe Award for Musical Theatre, four Barrymore Awards (including the F. Otto Haas Award for an Emerging Theatre Artist), nominations for Lucille Lortel and John Gassner awards, and multiple fellowships from the Independence Foundation and Pennsylvania Council on the Arts. Michael is a Professor of Theatre at Villanova University (where he received his MA in Theatre), Artistic Director of Villanova Theatre, and a proud alumnus of PlayPenn and New Dramatists. He shares a life with actor/teacher/director Megan Bellwoar and their children Benjamin and Willa.